After making the festival rounds, Grampa Kevorkian is finally online for everyone to enjoy!
Grampa Kevorkian from Claire Almon on Vimeo.
Sunday, November 27, 2011
Awards!!!
Grampa Kevorkian is the winner of a Bronze Cube for the 90th Annual Art Directors Club Award, the recipient of a 2011 Cine Golden Eagle Award, and a 2011 Adobe Design Achievement Awards semi-finalist. Be sure to check out the film!
Tuesday, February 1, 2011
Maquette Progress
I bet you didn't even know I had made a Grampa Kevorkian maquette. In fact, it's been made since before the film was finished but it has been sitting at my apartment primer gray for a while now. Recently, I finally took it out and started painting it (in black and white of course). It was suggested to me that I take some progress photos as I paint it. Unfortunately, I didn't take any at the beginning and now I'm halfway through. Also, my camera is on the fritz at the moment. However, I did take a few not so great pics with my phone camera just to give the idea. I'll try to track the rest of the progress and then post nicer pics of the final piece here. Hope you enjoy!
Well, you get the idea even if the pics aren't the greatest. I'll try to get some really nice ones up soon so be sure to check back.
Monday, January 24, 2011
Two New Screening Dates Announced
Hi everyone,
Things have been a little slow over the holidays, but they're picking up again with two new screenings in February! The first is a screening in Cartersville, GA at the Third Annual Night of Independents Film Festival February 12th 7pm - 10pm. The next is at the Providence Children's Film Festival in Providence, RI (Where my Grampa used to live!). That will be February 17th-22nd and I will announce the exact date and time as soon as I have it. This will be Grampa Kevorkian's 3rd Children's film festival screening! To get more information please check the Upcoming Screenings at the top menu.
Things have been a little slow over the holidays, but they're picking up again with two new screenings in February! The first is a screening in Cartersville, GA at the Third Annual Night of Independents Film Festival February 12th 7pm - 10pm. The next is at the Providence Children's Film Festival in Providence, RI (Where my Grampa used to live!). That will be February 17th-22nd and I will announce the exact date and time as soon as I have it. This will be Grampa Kevorkian's 3rd Children's film festival screening! To get more information please check the Upcoming Screenings at the top menu.
Thursday, December 9, 2010
Atlanta Shorts!
Hi everyone!
Sorry I haven't posted any news in a while. The holiday season is such a busy time of year and I haven't had as much time to update the blog. That said, I have some great news! Grampa Kevorkian will air on Atlanta Shorts next weekend, Dec. 18/19th, Saturday night at 1 am, Sunday night at midnight on PBA 30. The bad news it will be in the Atlanta area only, but if you'll be in town please tune in! Check out the link for more on Atlanta Shorts.
Sorry I haven't posted any news in a while. The holiday season is such a busy time of year and I haven't had as much time to update the blog. That said, I have some great news! Grampa Kevorkian will air on Atlanta Shorts next weekend, Dec. 18/19th, Saturday night at 1 am, Sunday night at midnight on PBA 30. The bad news it will be in the Atlanta area only, but if you'll be in town please tune in! Check out the link for more on Atlanta Shorts.
Thursday, November 11, 2010
The Savannah Film Festival
Hello Everyone! This past weekend I took a trip with Carlos to the Savannah Film Festival to see my film screen and to participate in an animation panel. It was a fantastic experience. Not only was the panel great, but I got to met a lot of interesting people including animators, directors, and producers. We even partied with the likes of Sir Ian McKellen and ate breakfast with James Cromwell and Isabella Rossellini! I also got to see some great films including student live action and animated films from around the country, and Danny Boyl's new gut wrenching movie 127 Hours. The whole experience was great but perhaps my favorite part was meeting other animation students and young people who told me they really liked my film. It was extremely moving to hear my peers say they appreciate my work. Unfortunately, I didn't take as many pictures as I should have but here are a few highlights from the festival. Enjoy!
Thursday I arrived in Savannah and immediately went to participate in a panel called Animation - The Short Story about how to produce a short film while working a full time job.
My fellow panel members Tom Gasek (of Aardman fame), Jim Capobianco (Pixar), and Charles deCosta (SCAD professor and Animator)
Savannah College of Art and Design Department head Jeremy Moorshead moderated.
Tom's film Off-Line and Jim's film Leonardo were both in the professional short animation section of the festival.
On the panel, I was able to speak from a student's perspective and give advice on how to complete a thesis project.
Jim Capobianco giving some words of wisdom from his experience of making the short Leonardo over 10 years.
I also had the privilege of being the only lady on the panel. You can do it, too, ladies!
A packed room full of animation students listening to us speak. (Photo thanks to Tyler Kupferer)
Thursday night we went to the evening reception held after the festival events each day. Sir Ian McKellen showed up and gladly hung out and talked to a throng of fans. We stalked and took cell phone pics from a safe distance.
Our friend Dustin Grella (Animator/Director of the award winning Prayers for Peace) wasn't as shy!
The table in Marshall House with postcards for films in the competition. You can spot mine all the way over to the left second from the bottom. (Photo thanks to Tyler Kupferer)
Friday we did a bit of sight seeing in Savannah. Saturday morning it was time for my film! Here we are getting ready to go.
The marquee at the Trustees Theater where my film was being screened.
Anxiously waiting for my Dad to show up.
Yay, my Dad made it! Now waiting for the screening to start.
After the screening all the attending filmmakers stood up for a Q&A.
There were about eight of us in attendance so I tried to keep it short.
Getting lunch afterwards at a burger place.
Carlos and I at the awards ceremony on Saturday. I didn't win, but it was a thrill just to be there. All the filmmakers got to sit in the very front VIP style!
Dusty and I at the last party. It was fantastic to meet so many other amazing animators.
The closing party was the best of the week! And yes, they had girls dancing in the back of pickup trucks indoors. Go figure.
That was my trip to the Savannah Film Festival! It was such a fun time I'm sad it's over. Now to get out there and get my film in some more!
Monday, November 1, 2010
Animation - The Short Story Panel
Thursday I'm so excited to be heading down to Savannah to take part in the Savannah Film Festival! I'm anticipating all the screenings, workshops, panels and parties. My film which screened this morning will have an additional screening on Saturday at 11:30am at the Trustees Theater. Apart from seeing my film on the big screen, I'm most excited about taking part in a panel called Animation - The Short Story (details below). Not only am I honored to participate as a panel member, the other animators on the panel have hugely impressive resume's from Pixar, Disney, Ardman, Big Idea, and more! How did I end up on such an impressive panel? I feel like I'll want to ask just as many questions as the audience members. So, if you are in Savannah, please swing by and see the panel then stay for the screenings and festivities!
(Click to see larger image.)
Sunday, October 31, 2010
Geronimo Projects Interview
In anticipation of the Savannah Film Festival happening this week in Savannah, GA, I was interviewed by a fantastic blog called Geronimo Projects. If you are in Savannah this week check out my film on Monday or Saturday. I will also be on a panel about making animated shorts on Thursday, see ya there!
Geronimo Projects interview by Alex Getz
Claire Almon is another artist who will be screening her work in the Savannah Film Festival, which kicks off tomorrow, October 30th. Claire’s animated short, Grampa Kevorkian, will show in the Lucas Theatre on Monday November 1st, at 9:30 am, and again in the Trustees Theatre on Saturday November 6th at 11:30 am.
How did you first become interested in animation?
Claire Almon : This may sound cliché, but I have wanted to be an animator as long as I can remember. My mother is an artist so from an early age I was encouraged to draw and create. Watching hours of Disney movies and Warner Bros. cartoons, I think I just decided that was for me.
Talk a little bit about your short film, Grampa Kevorkian.
CA : Grampa Kevorkian is an homage to my maternal grandfather who passed away 3 years ago this November. We always had a mutual adoration for each other as I was growing up. He was basically the best grandfather you could ever ask for (although I may be a bit biased.) I think everyone has a figure like that in their life who they look up to so I thought it would be a great subject for film.
Your work has a very unique visual style, how did you develop this? Who or what served as inspiration for it?
CA : Developing a look for Grampa Kevorkian I drew from a few different influences. I loved the idea of pen and ink wash because it is so fluid, like a visual metaphor for memory. Also, black and white evokes a sense of nostalgia. The illustrative style itself was based on the type of loose drawings I make when I’m absent-mindedly sketching, but I definitely had Caroline Leaf’s The Street at the back of my mind during the whole process.
Grampa Kevorkian is a short film, with a run time of just under two minutes. What are some challenges you faced in constructing a narrative during a relatively small time frame?
CA : Well, I approached the film as if I was making a poem about my grandfather rather than writing a novel or short story. Instead of giving a play-by-play of our experiences together, I focused on describing what it felt like to know him as a child with imagery. With animation you can get a lot of information in a little amount of time because of the freedom of the medium. You don’t have to stick to realism; characters and objects can morph and change into anything you want. This creates a lot of exciting possibilities for how you tell a story, be it short or long.
You will be screening Grampa Kevorkian at the Savannah Film Festival. Are there any other films you are especially excited to see in the Festival?
CA : Yes, I would love to see Black Swan by Darren Aronovsky, The Illusionist by Sylvian Chomet, and of course all the other short animations.
What does the future hold for Claire Almon?
CA : Well, I hope to continue making my own animated shorts. It’s a ton of work but it’s extremely gratifying to have complete creative control over your own films. Commercially, I’m really interested in doing visual development for feature animation. My BFA is in illustration and my MFA animation, so I consider painting my first love and it’s great to combine it with animation. Whatever it is I just want to keep trying to reach my full potential as an artist.
What’s on your playlist? Who are you listening to most currently?
CA : That is a tough question, a little bit of everything from the In The Heights Soundtrack (I just saw it on Broadway), to The Black Skulls, Fleet Foxes, Vampire Weekend, and The Beatles. Although I have to admit that I Whip My Hair Back and Forth was in my head the whole day after I heard it on Youtube.
Grampa Kevorkian’s official blog.
Claire Almon’s sketch blog.
Blog for Claire’s next short, 3 Magicians
Geronimo Projects interview by Alex Getz
Claire Almon
Claire Almon is another artist who will be screening her work in the Savannah Film Festival, which kicks off tomorrow, October 30th. Claire’s animated short, Grampa Kevorkian, will show in the Lucas Theatre on Monday November 1st, at 9:30 am, and again in the Trustees Theatre on Saturday November 6th at 11:30 am.
How did you first become interested in animation?
Claire Almon : This may sound cliché, but I have wanted to be an animator as long as I can remember. My mother is an artist so from an early age I was encouraged to draw and create. Watching hours of Disney movies and Warner Bros. cartoons, I think I just decided that was for me.
Talk a little bit about your short film, Grampa Kevorkian.
CA : Grampa Kevorkian is an homage to my maternal grandfather who passed away 3 years ago this November. We always had a mutual adoration for each other as I was growing up. He was basically the best grandfather you could ever ask for (although I may be a bit biased.) I think everyone has a figure like that in their life who they look up to so I thought it would be a great subject for film.
Your work has a very unique visual style, how did you develop this? Who or what served as inspiration for it?
CA : Developing a look for Grampa Kevorkian I drew from a few different influences. I loved the idea of pen and ink wash because it is so fluid, like a visual metaphor for memory. Also, black and white evokes a sense of nostalgia. The illustrative style itself was based on the type of loose drawings I make when I’m absent-mindedly sketching, but I definitely had Caroline Leaf’s The Street at the back of my mind during the whole process.
Grampa Kevorkian is a short film, with a run time of just under two minutes. What are some challenges you faced in constructing a narrative during a relatively small time frame?
CA : Well, I approached the film as if I was making a poem about my grandfather rather than writing a novel or short story. Instead of giving a play-by-play of our experiences together, I focused on describing what it felt like to know him as a child with imagery. With animation you can get a lot of information in a little amount of time because of the freedom of the medium. You don’t have to stick to realism; characters and objects can morph and change into anything you want. This creates a lot of exciting possibilities for how you tell a story, be it short or long.
You will be screening Grampa Kevorkian at the Savannah Film Festival. Are there any other films you are especially excited to see in the Festival?
CA : Yes, I would love to see Black Swan by Darren Aronovsky, The Illusionist by Sylvian Chomet, and of course all the other short animations.
What does the future hold for Claire Almon?
CA : Well, I hope to continue making my own animated shorts. It’s a ton of work but it’s extremely gratifying to have complete creative control over your own films. Commercially, I’m really interested in doing visual development for feature animation. My BFA is in illustration and my MFA animation, so I consider painting my first love and it’s great to combine it with animation. Whatever it is I just want to keep trying to reach my full potential as an artist.
What’s on your playlist? Who are you listening to most currently?
CA : That is a tough question, a little bit of everything from the In The Heights Soundtrack (I just saw it on Broadway), to The Black Skulls, Fleet Foxes, Vampire Weekend, and The Beatles. Although I have to admit that I Whip My Hair Back and Forth was in my head the whole day after I heard it on Youtube.
Grampa Kevorkian’s official blog.
Claire Almon’s sketch blog.
Blog for Claire’s next short, 3 Magicians
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